Saman
Pournesaei

3D Artist

A Little About Me

Over 17 years in 3D motion design, shaped by early roots in traditional painting[cite: 1]. Moving from physical canvases into high-end digital environments, my work sits at the intersection of technical precision and artistic vision specializing in cinematic storytelling, architectural visualization, and parameter-driven 3D simulations[cite: 1]. By treating light, spatial balance, and dynamic forces as storytelling tools, I build environments that feel both structurally sound and emotionally resonant[cite: 1]. Now expanding this expertise into Web3, I develop architectural digital assets, physics-driven animations, and collectible 3D artifacts built for virtual spaces and decentralized media[cite: 1].

Work Experience

Senior 3D Motion Designer

Lead / Recent

Freelance & International Projects

Delivering 3D animations, architectural visualizations, and dynamic simulations for Web3 ventures and international firms; producing visual assets for blockchain and spatial marketing campaigns[cite: 1].

3D Motion Designer

3 Years

Trustmedia

Built 2D and 3D motion graphics for high-impact banking and investment-focused Web3 initiative[cite: 1].

3D Artist

4 Years

DreamCage International

Crafted high-fidelity 3D visuals and dynamic animations for major international multi-channel advertising campaigns[cite: 1].

3D Artist & Ad Production Manager

5 Years

GemTV, Turkey

Directed hundreds of commercial product teasers and 3D ads; optimized broadcast production workflows while coordinating creative teams[cite: 1].

Freelance Motion Designer

5 Years

Advertising Agencies, Tabriz, Iran

Designed tailored motion graphics and 3D visual assets for diverse regional commercial advertising agencies[cite: 1].

Skills & Tools

My core mastery centers on Cinema 4D & Blender, serving as my primary tool for 3D modeling, animation, and world building, paired with Adobe After Effects, Premiere, and Photoshop for advanced compositing, editing, and finishing[cite: 1]. For look development, I harness Octane, Redshift, and Arnold to deliver lifelike illumination, texturing, and cinematic nuance[cite: 1]. I focus on complex fluid and particle dynamics via RealFlow and EmberGen, crafting high-impact, physically accurate simulations for premier visual media[cite: 1]. Grounding these digital techniques, my roots in classical painting constantly guide my eye for balance, color theory, and compelling visual narrative across every brief[cite: 1].